A runaway locomotive smashing into the damsel in distress over and over.
We follow the Safdie brothers newest creation: Howard
Ratner, who is a New York Jewish jeweller. All 3 of these descriptors become
paramount to the sum total of Howard's identity and general guiders in his
life.
Adam Sandler puts in a one of his most ambitious and well
delivered acting performances that I can think of. Looking back on the absolute
barrage of noise and motion that was this film, I can't think of a single scene
that didn't include Sandler's character, which is a testament to his
performance in this film, and the energy that himself and the Safdie brothers
concocted.
Howard was a hard character to sympathise for, he lied, he
cheated and conned his way throughout this flick. There were moments of
tenderness and sincerity, but they were quickly quashed with another dodgy
business decision or lie.
What set this film apart for me was it's pacing and like
mentioned before energy. This energy, this frantic energy that Howard carries
in his pocket which manifest itself into his customers, family and disgruntled
loan sharks. All of which would be in one scene all talking at once trying to
grab Howard's attention. How the Safdie brothers edited this together is beyond
me and is a testament to their talent.
Overall, this is one of the best films I have seen over the
last couple of years and I hope to see much more from the Safdies and Sandler
alike.
All my film reviews can be found here: https://letterboxd.com/Kafka17/
All my film reviews can be found here: https://letterboxd.com/Kafka17/
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